Peru, Part III -- Mucho Machu...
Machu Picchu from the air; photo: Machu Picchu Travel |
Discover had a piece on the building of the site, writing this: “We’ve scurried around, looked at every hole and every doorway, and the whole thing is beautifully planned,” says Ruth Wright, a historian, travel writer, and environmental activist who formerly served in the Colorado legislature. Ruth and her husband Ken Wright, a civil engineer, have studied Machu Picchu over some two dozen trips. It’s not a haphazard project, she says, but “a completely designed city.” In light of its location, the achievement is even more impressive. As Ken put it, “they started out with a hostile environment.” The site receives up to 80 inches of rain annually, sits atop steep landslide-prone slopes, and lies upon active fault lines. Despite these obstacles, it has survived more than 500 years of weather and earthquakes and is in remarkable condition. To top it all off, the Inca lacked many of the tools you might think would be necessary for such an undertaking. “They did not have the wheel, they did not have iron or steel, and they did not have written language,” Ken says. “It would seem impossible that they could build something like this.” ...Although the Inca had no written language, the design of these structures seems to be laid out based on a set of rules. For example, the windows are typically the length of a forearm, and the space between them two forearms. “They standardized it,” Ruth says. “You can go into the forest and find a stone building and know it’s Inca because they’re all the same.”...Much of the Inca's work on Machu Picchu, though impressive, is inconspicuous. Ken has estimated that 60 percent of the construction is underground [other archeologists put the figure higher and estimate that 80% of the structure is underground].
The article continued: First, they located the city’s water source, a spring on the north slope of Machu Picchu Mountain -- without which there wouldn’t have been a Machu Picchu. They built a stone canal to carry perhaps 26 gallons of water per minute toward the urban center...But more important was their management of the water that, if left unmanaged, would have long since ravaged the site. “The reason that Machu Picchu has stood up over five centuries was because of good drainage,” Ken says. The terraces that line the hillsides below the city, besides adapting the slopes to agriculture, also protected them from runoff and erosion...Back in the urban sector, granite stairways and walkways doubled as a network of runoff channels, all feeding water into a main drain that discharged into the rainforest below the city...Remember that the Inca had no steel or iron tools. These blocks were hewn with bronze and stone, yet with such delicacy that you would never guess...Equally impressive, apparently, were the roofs that once covered these edifices. All the straw thatching has disappeared, but a few early western visitors documented their sophistication. “If you read the Spanish chronicles,” Lee says, “they were as admiring of the roofs as they were of the stone walls.” One observer, describing a domed roof in a different city, said it was “very reminiscent of the Pantheon at Rome.” Lee has called these “the lost half of Inca architecture.”
The often, and more-photographed peak of Huayna Picchu is a separate hike and requires an additional ticket (a good preview of the hike was beautifully captured by the British/Aussie couple, Cat & Joe on their blog). The younger and smaller peak's name reflects that, while the "old peak" of Machu Picchu sits behind the sanctuary. Now at this point I could begin to tell you all about huts and stones aligning with solstices and equinoxes, and how the place was divided for both workers and royalty, and how the rocks grew smoother and more intricate according to the buildings' importance, and how tombs and caves were discovered there, and how Hiram Bingham "found" the place after a long trek on the the "road" (which is now the rail line). I could tell you all that except: 1) it would have no meaning if you haven't been there; and 2) even with having a guide to explain all that and with a map of the area now in front of me, I honestly can't remember much of it. Everything made perfect sense at the time, and was SO fascinating (at the time); but as with so many places rich with history and complicated in their structure (as in trying to jam history and archeology and theories and visible remnants all together...and I was taking notes, no less!), it's pretty much a jumble. And besides, Lara K. does a much better job in providing great photos and a down-to-earth explanation for those of you thinking of heading down there (bravo to all these young people traveling the world, volunteering, and posting quality stuff...good on ya!).
Bus line to Machu Picchu |
The actual Machu Picchu mountain |
Perhaps the biggest piece of advice is to just enter with the mind of a child, an adult-child. Certainly the Inca had some time on their hands, especially at night when they could see so many stars (some of their symbols are based around the Southern Cross); but think of when or how or who was patient enough to realize that only on certain days would the stars take a certain path and that the next morning's sun would cast its light through an exact spot (the solstices). Miss that by a minute or a few minutes and the time would have passed. And then to decide that that spot was exactly where big stones should be placed. Not a few feet or inches off, but in that exact spot. Gary Fildes in his book, A Bricklayer's Guide to the Galaxy, wrote: Of the eighty-eight constellations, people are most likely to know the names of twelve of them...They represent the zodiac, the signs commonly associated with astrology and horoscopes. They also mark out the approximate path the Sun takes across our sky as we orbit it -- a line known as the ecliptic. As the Moon orbits the Earth, it also never strays very far from this line. The ancients noticed another special property about the ecleptic as they watched the skies over long periods. Five stars appeared not to be fixed into constellations like the rest, and would instead wander along this line. The dubbed them 'wandering stars', or asteres planetai in Greek. It is from that phrase that we get our modern day word for these wandering stars: planets.
Perhaps the best way to think about Machu Picchu is to not think about it at all. Maybe instead of wondering how the Inca mastered all these building techniques and alignments is something we won't ever understand. Perhaps their way of thinking was something unique. One example came from Lyall Watson's book on how we picture wind: Some biologist suggest that life may have borrowed the maverick capacity for replication from substances like the crystalline clays, whose regular geometric forms arise spontaneously, but go on reproducing themselves in a stable and organized way. Now, perhaps it becomes necessary to extend the chain of revolutionary circumstance and suggest that air, far from being a random catalogue of stray gasses, might in fact be a biological ensemble. Something created by, and maintained by, the biosphere for it'd own benefit. For me, seeing this place for the first time was truly something magical. And while I'll never be able to relay that special feeling to anyone, a good analogy came from Raynor Winn's first bestselling book, The Salt Path. In the book, she and her husband (given a terminal-diagnosis) become caught in a legal snafu and find themselves homeless...so they decide to walk the 630 miles of the southwest coast of England, rough-camping as they call it but basically just barely scraping by from week to week, often going hungry and yet strangely feeling more alive. One day, they meet an elderly gent on a cliffside, he plagued with glaucoma and his eyesight rapidly failing, but still able to catch a falcon floating in the winds off the sea. He says to them: "It's a stunning sight to remember. I come here every day I can, got to remember it, see for when I can'r see it...I'm glad she's come, she's a special thing, beautiful 'in she." After hearing that, the author reflects: The light grew, prizing the sky and the sea apart. Had I seen enough things? When I could no longer see them, would I remember them and would the memory be enough to fill me up and make me whole? That first sight of Machu Picchu? For me, that was memory enough...
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